Importance of being Anachronistic: Contemporary Aboriginal Art and Museum Reparations Painting The Interior

The Interior

The publication is notably small

blending poems and collages that celebrate the sounds and imagery of language as they come to life

An introductory conversation with Francis Plagne and Helen Hughes

the publication delves into the extraordinary archives of Roslyn Oxley9 Gallery through the perspectives of leading artists

Importance of being Anachronistic: Contemporary Aboriginal Art and Museum Reparations Painting The InteriorThe Importance of Being Anachronistic: Contemporary Aboriginal Art and Museum Reparations delves deeply into the intersection of time and contemporary art, employing anachrony as a potent tool to challenge and subvert the constraints of the colonial archive. At its heart lies Julie Gough's transformative exhibition, The Lost World (Part 2) which provocatively intervenes within the Cambridge Museum of Archaeology and Anthropology. This groundbreaking