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Fantastical Empathy: Encountering Abstraction in Bret Batteys Sinus Aestum (2009). In Fantasy/Animation: Connections Between Media, Mediums and Genres , edited by Christopher Holliday and Alexander Sergeant, 73-90

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Its monsters are all too real." [21] The New York Times 's Janet Maslin called it "bitter and disturbing" and deemed the performances "natural and credible." [22] Vincent Canby, also of The New York Times , named the film "the year's most riveting, most frightening horror film, even if doesn't really belong in the same category with any acknowledged classics of the genre

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