Framed Plate No.7; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios surviving from mid nineteenth century

surviving from mid nineteenth century America

” and also some old annotations as to where the pictures were previously hung

Place in ones garden and hop back on the golf cart

The composition has a sense of Pierre-Auguste Renoir’s 1881 picture ‘Bouquet of Chrysanthemums’ about it in terms of the palette used and it may have provided an inspiration to this work

The Thomas Glenister Company ceased trading in the 1990s

Framed Plate No.7; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios surviving from mid nineteenth centuryOrigin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 13. 5 inches (in frame) Width: 20. 5 inches (in frame) London. M. A. Nattali. Folio. In landscape form, the framed and glazed single engraved plate leaf, numbered Pl. 7, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts the various muscles of the forearm