After Domenico Fetti; The Veil of Veronica; An Early 18thC Spanish School Oil on Canvas sub-Macabre- Medicine They would often be placed

They would often be placed on either side of a pier table or positioned in front of mirrors so the candlelight could be reflected and multiplied in the glass Guéridon was the name of a Moorish slave at Louis XIV's court

The couple renewed their vows every year and it was safe to say that they were a couple very much in love

with poem titled 'Sensibility' to inscribed label verso

The stoat is a true carnivore

with the front section in wax

After Domenico Fetti; The Veil of Veronica; An Early 18thC Spanish School Oil on Canvas sub-Macabre- Medicine They would often be placedOrigin: Spanish Period: Early 18thC Provenance: Unknown Date: c. 1700 1720 Height: 26 Width: 22. 25 Depth: 1. 25 (all in frame) The Spanish school oils on canvas of The Veil of Veronica after Domenico Fetti (c. 1620), showing Christs image on the veil, in its original primitive painted wooden frame, and surviving from the first quarter of eighteenth century Spain. The picture is in as found condition with it being tired, dirty and un restored. There